Natasa/Alison:
B7 obviously toys with the 'uncertainty principle', probably not because of any conscious interaction with deconstructionism, but
simply
because they both reflect our age.
I sometimes wonder to what extent the formal convolutions of B7, the
kind of
thing you mention in this post, were thought through at all, by
anyone.
I don't think there's that much to wonder about on that score <g> 'Not at all' I think! Of course, that just makes these sorts of interpretations even more interesting.
It's not just reflecting the age, I don't think, because you wouldn't
find it in
any other show of the time.
I can think of one or two. Where do you see this kind of presentation of morality in contemporary shows? I think I find it everywhere because it's what I'm interested in.
Una